Tag Archives: Adrian Thompson

Lady Macbeth of Mtsensk, English National Opera, ENO, London Coliseum, September 2015

A woman trapped in comfortable domestic surroundings, while her husband’s busy world goes on all around, takes a lover. Her actions and emotions spiral out of control, her once luxurious bedroom vanishes and she ends up in a prison cell — such is the setting well realised by director Dmitri Tcherniakov … apart from the …

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Boulevard Solitude, Welsh National Opera, WNO, Cardiff, February 2014

The working title for this opera, when Henze started work on it in 1950, was Manon Lescaut, heavily influenced as it was by Henri-Georges Clouzot’s 1949 movie Manon set in wartime Paris. Both are ultimately based on the Abbé Prevost’s eighteenth century novella, and the WNO staging is by the same director and stage designer, …

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Der Ring des Nibelungen, Longborough, June/ July 2013

Longborough Festival Opera provided one of the most memorable moments in any Ring I’ve seen — as the lights went out at the end of Walküre a stunned silence enveloped the audience for at least half a minute. Wotan’s farewell to Brünnhilde over, a mist surrounded the god as he knelt by the sleeping body of his …

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Magic Flute, English National Opera, ENO, London Coliseum, September 2012

This powerful and illuminating production by Nicholas Hytner may be seeing its last outing after twenty-five years in the repertoire, so don’t miss this ‘final’ revival. The new cast, with young conductor Nicholas Collon making his ENO debut, did a super job. For me the star of the show was Duncan Rock, who recently made …

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The Cunning Little Vixen, Glyndebourne, May 2012

Standing outside in the grounds of Glyndebourne facing the ha-ha near the new statues of hunting dogs, one looks to the left and sees a green hill just like the one on stage; and in front of the stage hill is a tree made of pieces of wood. The stage tree lends an air of …

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Der Rosenkavalier, English National Opera, ENO, London Coliseum, January 2012

For those who love this Strauss/Hofmannsthal collaboration, the programme booklet contains an interesting essay by Mike Reynolds, describing the vital contributions by Hofmannsthal’s collaborator, Count Harry Kessler. This well-connected and talented man, who was brought up in France, England and Germany, chose the plot and had a huge influence on its structure and realisation. The …

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Eugene Onegin, English National Opera, ENO, London Coliseum, November 2011

Altogether this is a wonderful new production by the ENO, and the visual effects were so good that the audience spontaneously applauded the ball scene as the curtain opened for Act III.

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The Duenna, English Touring Opera [ETO], Royal Opera House Linbury Studio, October 2010

It’s a pleasure to see English Touring Opera in London, and know that they will be taking this delightful production to other cities. It deserves to be a sell-out everywhere.

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