Monthly Archives: November 2013

Romeo and Juliet, with Acosta and Osipova, Royal Ballet, Covent Garden, November 2013

Having now joined the Royal Ballet as a Company member rather than a guest artist, Natalia Osipova’s performance of Juliet was much anticipated. Her technique and dramatic flair served her well, particularly in the final scene of Act III when her body crumpled like a rag doll in Carlos Acosta’s arms. It was a fine …

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Medea, Actors of Dionysus, Rose Theatre, Kingston, November 2013

At the end of this play, Helios the sun god comes to Medea’s rescue, carrying her through the air in a chariot from Corinth to Athens. This deus ex machina pulls her out from certain death in a city where her sorcery has killed its king and his only daughter, destroyed her ex-husband Jason’s plans …

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Royal Ballet Triple: Chroma/ The Human Seasons/ Rite of Spring, Covent Garden, November 2013

The world premiere in this triple bill was the second ballet by David Dawson, making his Royal Ballet debut as a choreographer. I know someone who skipped the first item, and another who skipped the third, but both were in full anticipation of the second and neither was disappointed. The evening started with Wayne McGregor’s …

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Magic Flute, English National Opera, London Coliseum, November 2013

A new production of Mozart’s Magic Flute should be judged largely by how well it illuminates this extraordinary story. But that aside, Simon McBurney’s production is full of theatrical innovations. On stage right there is a small booth for a production assistant to write on a chalk-board, and arrange books in a way that is …

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Wozzeck, Royal Opera, Covent Garden, November 2013

October 2013 is the bicentenary of Georg B├╝chner, whose play Woyzeck is the basis for Berg’s opera. The play is sparely written, and after a few cuts and slight rearrangement of scenes, Berg produced an opera of striking power and musical invention. It is not an easy task for the singers, with its four different …

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