Monthly Archives: May 2013
Posted on 31 May 2013
Retiring from the Royal Ballet this season is Leanne Benjamin, who made her debut with the Company as Mary Vetsera in Mayerling in 1992. She rounds off an immensely varied career by including the same role, and what a performance she gave last night. With Carlos Acosta in the dark role of Crown Prince Rudolf, …
Read more >
Posted on 30 May 2013
At the end of this illuminating new production by the WNO, Elsa’s younger brother Gottfried assumes the symbols of power left for him by Lohengrin, causing the assembled forces of the army, except the King and Herald, to cower away. He then raises his hand against Ortrud in her glorious red dress, and she crumples, …
Read more >
Posted on 29 May 2013
Euripides’ play The Trojan Women is the final part of a trilogy, whose first two parts are largely lost. Yet we know their main themes, and David Stuttard’s recreation of the second part follows that of the first part, given six months ago by AOD at the same venue, Europe House, London. The first part, …
Read more >
Posted on 25 May 2013
Choreographer Wayne McGregor’s strength is as a visual artist, and this ballet is based on a fairy tale by Audrey Niffenegger, a novelist and visual artist. A postman falls in love with a raven that gives birth to their child the Raven Girl, who yearns to be bird rather than human. Despite the range of …
Read more >
Posted on 19 May 2013
The house of the richest man in Vienna, where Strauss and Hofmannsthal set the action, transfers seamlessly to an English country house in Act I with delightful set designs by Julia Müer. Wonderful lighting by Olaf Winter showed the gradual ending of a lovely summer’s day outside as preparations for the evening’s entertainment were underway, …
Read more >
Posted on 18 May 2013
Two tenors love the same soprano — Elena, the Lady of the Lake — but she ends up with her beloved mezzo, Malcolm. The tenors, Uberto, really King James V of Scotland, and Highland Chieftain Rodrigo, are politically and militarily opposed, and though Elena’s father Duglas insists she marry Rodrigo, he is conveniently killed and …
Read more >
Posted on 15 May 2013
This marvellous classical ballet by Petipa, in a three-act version by Makarova, provides scope for alternative portrayals of the main roles, and the ones given on May 14 by Acosta, Nuñez and Kobayashi gelled beautifully. Carlos Acosta as Solor came over as a decent fellow placed in an impossible position by Christopher Saunders as the …
Read more >
Posted on 12 May 2013
In Georg Büchner’s original play Woyzeck the eponymous character is a poor man discombobulated by his superiors, the Captain and the Doctor. They mock his inability to keep his common law wife Marie away from the amorous attentions of the Drum Major, and his poverty compels his participation in the Doctor’s experiments. He cannot compete …
Read more >
Posted on 9 May 2013
Entering the Linbury Studio you go downstairs — the whole venue is underground, as is the witch’s kitchen in Liam Scarlett’s new dark version of Hansel and Gretel, where the children are tied up in a dungeon. Scarlett’s ballet is set in 1950s America, and by coincidence the big news story of the moment concerns …
Read more >
Posted on 8 May 2013
“My opinion is that most people come to grief for expecting too much of one another”, says Zoë Wanamaker’s Eleanor near the beginning of Peter Nichols’ 1981 play about marriage, adultery, and dare I say it … love. Certainly she doesn’t seem to expect too much of Owen Teale as her husband James. He on …
Read more >