Tag Archives: Wolfgang Ablinger-Sperrhacke

Der Rosenkavalier, Royal Opera, ROH, Covent Garden, December 2016

The essence of Robert Carsen’s powerful new production is time. By setting it in the period of its creation, the early twentieth century rather than the mid-eighteenth, he compresses time, giving those glorious late nineteenth century waltz melodies and the story itself the feel of a world about to be changed forever, as indeed it …

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La Finta Giardiniera, Glyndebourne, June 2014

Pretending is what Finta is all about — the title itself means The Pretend Gardener — but too much pretence can make you can lose your way, which is exactly what happens here. The separated lovers, Sandrina (aka La Marchesa Violante Onesti) and Count Belfiore have to find themselves and one another before they can …

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Le Grand Macabre, ENO, English National Opera, September 2009

This musical work by Ligeti (1923–2006) is related to opera rather in the way a painting by Hieronymus Bosch is related to a landscape.

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