Tag Archives: Samantha Raine
Posted on 22 May 2012
Ballo Della Regina (The Queen’s Ball) is a short Balanchine work set to music that was cut from Verdi’s opera Don Carlo. This ballet involves a sequence of variations, first with twelve girls in blue, joined by two principals in white. After a pas-de-deux for the principals, four soloists in violet come on one at a time, and …
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Posted on 1 November 2011
Colourful new costumes with Oliver Messel’s original designs updated by Peter Farmer, fine ensemble dancing and some excellent solos, what more could one want? Well … coordinating the conducting better with the dancing would help. During the first interval, a lady from the audience told me she thought only one of the fairy variations in the Prologue …
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Posted on 23 September 2011
All in all this is a wonderful evening’s entertainment with glorious choreography and dancing aided by delightful sets and costumes, and the House was deservedly full.
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Posted on 14 May 2011
This triple bill made for a rather fragmented evening, because the first two pieces took only 36 minutes between them, while the two intervals lasted half an hour each. But it was all worth it because the final item, Christopher Wheeldon’s Danse à Grande Vitesse, was wonderfully invigorating and performed with great energy. A clear stage …
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Posted on 4 December 2010
… in Act II, Rojo and Côté, surrounded by the ‘dancing stars’ gave a display of classical ballet at its best. Ashton was a master of large ensemble dances and this was magical.
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Posted on 21 November 2010
One of the lovely things about Ashton’s Cinderella is the intermingling of the real world with the magical world.
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Posted on 18 April 2010
Yuhui Choe danced Cinderella with exceptional charm and refinement. Her elegant footwork and sympathetic body language marks her out as an exceptional future performer of this role.
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Posted on 15 December 2009
These two delightful ballets by Frederick Ashton are a joy to watch.
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Posted on 24 October 2009
This lovely production by Monica Mason and Christopher Newton, using the old Oliver Messel designs with additions by Peter Farmer, is one of the company’s gems
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Posted on 6 April 2009
…altogether a fine performance of Giselle, and Boris Gruzin did an excellent job with the music, conducting with vibrancy and sensitivity.
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