Tag Archives: Sadler’s Wells
Posted on 9 October 2014
This triple bill is aptly titled, starting as it does with the bouncy laziness of a summer’s day in the 1930s before World War II, and ending with David Bintley’s excellent Flowers of the Forest, whose two parts contrast light with darkness, to music by Arnold and Britten. The hedonism of La Fin du Jour …
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Posted on 16 October 2013
After a 20-minute delay caused by computer problems — oh, for the days when stage equipment at Sadler’s Wells could be operated by hand — this excellent triple bill of David Bintley ballets proved well worth the wait. In the first, Bintley uses Einstein’s equation E=mc2, expressing the equivalence of energy E and mass m, …
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Posted on 27 October 2012
The Grand Tour, a charming ballet by Joe Layton based on Noël Coward’s 1930s transatlantic trip on a liner, is to music by Coward himself, adapted and orchestrated by Hershy Kay. It’s a colourful ballet with lovely designs by John Conklin, well lit by Peter Teigen, and in this cast the most striking performer was …
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Posted on 24 October 2012
This triple bill, titled Opposites Attract, concludes with Hans van Manen’s fine 1971 ballet Grosse Fuge to orchestral music by Beethoven, but in the meantime we are treated to two more recent works with music of a lighter texture. The programme starts with David Bintley’s Take Five to jazz music created by the Dave Brubeck Quartet. This is fun. Lighting …
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Posted on 20 October 2011
The tranquil centre of this triple bill is Symphonic Variations, one of Frederick Ashton’s greatest ballets. He produced it in spring 1946 as something of an antidote to the recent war, providing a wonderful serenity to the mystical calm of César Franck’s music. Yet for the dancers this serenity is a great challenge. The six of …
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Posted on 11 March 2010
While much of the music and action is on a rather ethereal level, an excellent contrast was created in this production by the interaction between Tytania and Bottom as a priapic ass.
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Posted on 13 November 2009
it’s rather remarkable to turn into dance a story about a man who is good with words, but I think Bintley has succeeded.
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Posted on 11 November 2009
E = mc2, was the main focus of the evening for me … a new work by artistic director David Bintley, in four movements
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