Tag Archives: Phelim McDermott
Posted on 19 March 2023
Open are the double doors of the horizon/ Unlocked are its bolts. Thus intones the Scribe at the start of Philip Glass’s opera Akhnaten about an extraordinary king of Egypt. The staging starts with the funeral of his father Amenhotep III, and the transfer of power. It ends with modern archaeologists examining ancient fragments, and a …
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Posted on 12 February 2019
Egypt, eighteenth dynasty: this starts with the laying to rest of Amenhotep III, and ends with his grandson Tutankhamun receiving the regalia of office before stepping into his inheritance. In the meantime, Tutankhamun’s father Amenhotep IV temporarily overturned the Egyptian religion with his monotheistic cult of the Aten (the sun disc), which he personally sanctified …
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Posted on 2 February 2018
Non-violence — is there a positive word for it? In creating a proactive term for non-violence in action Gandhi invented satyagraha from two Sanskrit roots, satya meaning truth, and agraha meaning holding on to. It is the underlying theme for the three acts of this opera, representing past, present and future, but standing outside time …
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Posted on 5 March 2016
This final opera in Philip Glass’s trilogy on men who changed history — Einstein, Gandhi, Akhnaten — last seen here in 1987, well deserves Phelim McDermott’s spectacular new production. Akhnaten may not be a household name like the other two, but this eighteenth dynasty Egyptian king who temporarily overturned the Egyptian religion with his monotheistic …
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Posted on 17 May 2014
In this new co-production with the Met in New York, English National Opera has a winner. During the overture a dozen circus performers (strongman, bearded lady, sword swallower, dwarves et al) emerge from a chest and are a continuous background presence, reminding me of the Commedia del Arte figures in Strauss’s Ariadne auf Naxos. Each …
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Posted on 7 December 2013
The performance on 6th December 2013 was a special occasion, quite unplanned. Philip Glass’s paean to the peaceful revolution embodied by Mahatma Gandhi, with its allusions to Martin Luther King, whose back-view we see in Act III, speaking on a podium, was preceded by a commemoration for Nelson Mandela, who had died just 24 hours …
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Posted on 2 June 2013
The scenes in this new Philip Glass opera are set mainly in Southern California where Walt Disney lived, worked and died, but there is an early scene in Marceline, Missouri where he spent his childhood. Or did he? Certainly he looked back on his four or five years in Marceline as giving him everything, but …
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Posted on 22 January 2012
Shakespeare’s Tempest with the lovers from Midsummer Night’s Dream thrown in, all to music by Handel, Vivaldi, Rameau, et al, with fabulous costumes, sets, and even mermaids. This enterprising creation by Jeremy Sams, following an original idea by the Met’s general manager Peter Gelb, is an innovative project that really succeeds, particularly in Act II. When I first went to …
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Posted on 26 February 2010
The production … has a rather ethereal quality, and as a friend of mine said, “I was left humming peaceful thoughts all the way home”.
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