Tag Archives: Peter Sellars
Posted on 27 February 2015
This opera, or rather semi-opera (entertainment combining acting, singing and dance), was not really complete when Purcell died in 1695. Though it had already been performed, the loss of the Company’s main dramaturge and many of its singers compromised the result. Not therefore in the state that the composer would wish, and rather than attempt …
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Posted on 22 November 2014
The ‘Other Mary’ in John Adams’ new work is Mary Magdalene, along with her sister Martha and their brother Lazarus, who work to help the poor and disenfranchised in mid-1970s America. To many in an English audience the name César Chávez, co-founder of what became the United Farm Workers Union, may not be well known. Beloved …
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Posted on 13 February 2011
Peter Sellars exuded enthusiasm from his toes to the end of his extraordinary hair-do, extolling Adams’s music and saying “it builds and has tension . . . rather like Mozart”.
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Posted on 4 September 2010
Esa-Pekka Salonen produced glorious sounds from the Philharmonia, giving us moments of explosive tension and of gentle lyricism.
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Posted on 28 November 2008
The music by John Adams is wonderful, but the libretto by Peter Sellars falls far short of expressing the potential drama of this story. As a piece of theatre this opera fails …
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