Tag Archives: Peter Robinson

Manon Lescaut, Opera Holland Park, June 2019

This opening of the Opera Holland Park season saw a production of Puccini’s first masterpiece by young director Karolina Sofulak, who updated this story of a girl torn between the student Des Grieux and the elderly aristocrat Geronte from its natural place in the eighteenth century to the swinging sixties. It didn’t work, and the …

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Queen of Spades, Opera Holland Park, OHP, August 2016

This Tchaikovsky opera contrasts psychological darkness with airy gaiety that comes out very effectively in Rodula Gaitanou’s production. Excellent chorus direction and Jamie Neale’s choreography creates a sense of fun and spontaneity in lighter moments, and the wonderful sets and costumes by Cordelia Chisholm deliver a sumptuous setting for this tale of obsession that descends …

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Norma, Opera Holland Park, OHP, July 2014

Why is this glorious bel canto opera not performed more often? The reason is surely that one needs a terrific Norma, and Opera Holland Park produced one. Yvonne Howard was superb, and with Heather Shipp as Adalgisa these are performances not to be missed. Their duet towards the end of Act I when Adalgisa comes …

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I Gioielli della Madonna, Opera Holland Park, OHP, July 2013

“There’s a one-eyed yellow idol to the north of Kathmandu”, and the moral of the story is that if you steal jewels from a sacred idol, you will die, and the jewels will revert to their proper location. In that poem the jewel was stolen to satisfy the whim of a young woman, who rejected …

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La Wally, Opera Holland Park, OHP, August 2011

Act I of this opera is super, ending with Wally’s famous aria Ebben! Ne andrò lontana (Well then! I shall go far away) sung with great dramatic purpose by Gweneth-Ann Jeffers. Rather than sing this as a set piece aria, she alternated beautifully between pensive moments and real power. Her stubbornly narcissistic father Stromminger, well-portrayed by Stephen Richardson, …

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Fidelio, Holland Park Opera, OHP, July 2010

Beethoven’s only opera is a plea for justice, an idealistic cri de coeur from a composer who originally wanted to dedicate his third symphony to his hero Napoleon, only to be vastly disappointed when the general declared himself emperor.

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Un Ballo in Maschera, Holland Park Opera, July 2009

The key scene in the opera is the midnight rendezvous between the king and Amelia, where they are surprised by Amelia’s husband Anckarstrom, and she veils her face.

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