Tag Archives: John Graham-Hall

Boris Godunov, Royal Opera, ROH, Covent Garden, March 2016

The background to this opera is the reign of Ivan the Terrible, who curbed the power of the boyars and surrounded himself with reliable, talented men such as Boris Godunov, who became regent to the weak-minded Fyodor on Ivan’s death. During the regency, a later son named Dmitri died in slightly mysterious circumstances, and after …

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The Magic Flute, English National Opera, ENO, London Coliseum, February 2016.

English National Opera’s outreach to a younger and wider audience is well served by Simon McBurney’s (Complicite Theatre) production, first shown in 2013. Purists may object to the numerous theatrical innovations, but on the other hand this opera was originally conceived as a Singspiel, in other words a play with music, and its librettist Emanuel …

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Death in Venice, English National Opera, London Coliseum, June 2013

Gustav von Aschenbach, the protagonist in Thomas Mann’s 1912 novella is enraptured by a Polish boy Tadzio, just as Mann himself was during his 1911 stay at the Grand Hôtel des Bains on the Venice Lido. Britten’s opera fully brings to life Aschenbach’s suppressed passion, and the haunting Venetian soundscapes, complemented by Deborah Warner’s remarkable …

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Katya Kabanova, English National Opera, ENO at the London Coliseum, March 2010

… this dark and theatrically powerful opera is a must-see, and you would have to go a long way to find better singing or conducting — they were both virtually unbeatable.

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