Mainly Opera and Ballet
This Cavalli opera, Giasone in Italian, was followed a couple of years later by La Calisto, which the Royal Opera produced for the first time in autumn 2008. Both feature characters from classical mythology engaging in emotional and sexual liaisons, which somehow manage to end in harmony after complications and frustrations attendant on the rambunctious …
After an unusually long winter, walking across Holland Park for the opening of the OHP season it seemed that summer had really arrived. As the orchestra played the Prelude to Cavalleria Rusticana the set opened to reveal Turiddu in bed with Lola, and after the chorus entered to sing of orange blossom, over a dozen …
This production by Daniel Slater updates the action by nearly 100 years to a time we all understand, making it clear that Onegin is living in the past. Such was arguably Pushkin’s intent in setting his novel in the period 1819–25 when reforms were very much in the air, and later crushed. Here we are …
There were chainé turns as servants enter and exit the stage, along with the occasional pas-de-deux, all very well rehearsed and executed. The Crazy Day is the other title for Beaumarchais’ original play, and this production by Liam Steel, who also did the choreography, certainly gave full rein to the craziness.
