Tag Archives: GPO
Posted on 2 July 2018
Of the half-dozen or so operas on this Shakespeare play, Gounod’s is undoubtedly the best, and Patrick Mason’s staging in pre-war fascist Italy gives an interesting modern take on the background to the feuding families. Knives and baseball bats come out amidst threats and fights, leaving Juliette a prey to her own burgeoning emotions, her …
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Posted on 24 June 2017
Czech verismo with attendant Central European melancholy, this carries quite a punch. There are four principal characters, Jenufa who is pregnant by Števa, her step-mother the Kostelnička (church sexton), and Števa’s half-brother Laca who adores Jenufa, but jealously cuts her face, disfiguring her. She adores Števa but he rejects her, and Laca is horrified by …
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Posted on 23 June 2017
Grange Park Opera’s new theatre is a small miracle. Built in under a year, the acoustics of this mini La Scala with its four tiers of seats in a horseshoe-shaped auditorium, allowed conductor Gianluca Marcianò with the BBC Concert Orchestra to deliver a full-blooded account of Puccini’s masterpiece in the Surrey countryside. Full-bloodied too in …
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Posted on 23 June 2016
For a large opera house Verdi’s Don Carlo is quite a challenge, even in the four (rather than five) act version seen here. The great auto-da-fé scene at the end of Act II, where Carlo leads in a deputation from Flanders, threatens his father Philip II and is disarmed by Rodrigo, before the burning of …
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Posted on 4 June 2016
Sheer joy! And the second night audience increasingly responded to this marvellously staged musical, so that by the time the cast gave us a warmly spontaneous rendition of Consider Yourself they clapped along with the music. Spontaneity from the cast too. When the boys dance in time it is surely because Fagin has taught them …
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Posted on 25 June 2015
Chutzpah is the word for Grange Park this summer. First they manage to attract Bryn Terfel to the main role in Fiddler on the Roof, then they decide to take on Samson et Delila, which requires first rate singers in both main roles and is a difficult opera to stage. This is perhaps why director …
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Posted on 20 June 2015
There seem to have been a plethora of Bohèmes recently. The one by English Touring Opera last autumn shows a performance can tug unbearably on the heart-strings accompanied by only the simplest of sets, and the final run of John Copley’s Covent Garden production shows that even with the most glorious sets and world’s top …
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Posted on 6 June 2015
Rising anti-Semitism in Europe makes an excellent time for Grange Park to stage this story that ends with the forced abandonment of a Jewish stetl in Imperial Russia. There in the Pale of Settlement where permanent residency of Jews was allowed, life could be hard, balanced precariously like a fiddler on the roof. And if …
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Posted on 23 June 2014
In the much-performed Don Quixote ballet (music by Minkus) the Don sees his fantasy Dulcinée as one of a pair of young lovers whom he gracefully helps bring together, and they are the main characters. But in this late Massenet opera the main character is the noble yet delusional Don himself, with Dulcinée as a …
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