Posted on 2 June 2026
This delightful Rosenkavalier was performed as Strauss intended without the improprieties that modern opera directors so often throw at the staging. The singing was immaculate, and the witty production a delight from beginning to end — see my review in The Article.
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Posted on 17 November 2021
This latest revival of Verdi’s Macbeth is superb, with Anna Pirozzi as a hugely powerful and mendacious Lady Macbeth. The golden cage in which Macbeth and his wife live after murdering King Duncan is physically represented on stage, and Macbeth finds himself impaled on its bars at the end. See my review in The Article.
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