Mainly Opera and Ballet
Rimsky-Korsakov’s opera, often called The Maid of Pskov, gives a human insight to Ivan IV (the ‘Terrible’) who encounters a young woman in Pskov (near the Latvian-Estonian border) he realises is his own daughter. She has no idea he is her real father, and will never find out as she is shot in the confusion …
A thrilling revival of the 2016 production, once again under the excellent baton of Gianluca Marcianò. Clive Bayley and Ruxandra Donose reprised their beautifully nuanced performances as Philip II and Princess Eboli, joined this time by international rising star Leonardo Capalbo as Carlo, and Brett Polegato as Rodrigo, both superb, with Marina Costa-Jackson singing strongly …
This new production, some might say semi-staging, by John Fulljames gives space to the singers but the theatricality that Monteverdi brought to his stage works has gone missing. The dull costumes fail to express the essence of the characters, and make little distinction between gods and mortals, but Paule Constable’s lighting is magical. The action …
