Mainly Opera and Ballet
In her delightfully sung aria una voce poco fa the soprano Rosina shows herself attracted to the voice of a secret admirer. He later reveals himself as Count Almaviva in this wonderful Rossini comic opera. It is based on a plot by Pierre Beaumarchais, following the Italian tradition of Commedia dell’arte, and the ENO did …
This second part of WNO’s Figaro triptych uses the same excellent design team of Ralph Koltai (sets), Sue Blane (costumes) and Linus Fellbom (lighting) as the Barber of Seville, with designs again featuring two huge walls. In this case they move apart to allow entrances, exits and a hint of deception between master and servant, …
This lyric drama in six scenes by Frederick Delius is based on a novel by Gottfried Keller, inspired by a report in the Swiss newspaper Zürcher Freitagszeitung from 3 September 1847. A young man of 19 and girl of 17 had fallen in love despite the enmity of their peasant families. One evening the young couple danced …
Suor Angelica knocked Tabarro right off the stage because of one person — Ermonela Jaho. She was . . . words fail me . . . sublime . . . ethereal.
This production brings out the horrid awkwardness of Grimes’s estrangement from the local community, eliciting our sympathy for him …
When the curtain opens a huge serpent appears on stage, which Christopher Maltman, as a very engaging Papageno, later claims to have killed. His body language confirms that the ladies of the night are right to gag him for his lies, and his attitudes provide an excellent contrast to the noble Tamino, beautifully sung by Joseph Kaiser.
