Der Silbersee: Ein Wintermärchen, English Touring Opera, ETO, October 2019

Premiered in February 1933, Kurt Weill’s Silbersee gives an insight into the Germany in which Hitler had just come to power. It is a story of guilt, remorse, anger, resentment, and ultimately redemption, superbly brought to life in James Conway’s theatrically sensitive production — see my review in The Article.

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