Flying Dutchman, Welsh National Opera, April 2026
April 18, 2026This was a musical treat under the baton of Tomáš Hanus, who is sadly leaving the WNO after ten years. He fully brought out the energy and inspiration that Wagner put into this work — the first of his extraordinary music dramas — which changed the face of opera. See my review in The Article.
Turn of the Screw, Royal Opera Linbury Studio, March 2026
March 28, 2026This was a great disappointment. Ambiguity is the essence of this Benjamin Britten opera. Are the ghosts real or are they figments of the young governess’s imagination? A production may point one way or the other, but this one used clever lighting to simply make everything very spooky. It missed the ambiguity completely — see …
Siegfried, Royal Opera, March 2026
March 20, 2026This was the third instalment of Barrie Kosky’s new Ring for The Royal Opera. It’s an opera that can drag a bit in Act I, but under the baton of Antonio Pappano and the stage direction of Barrie Kosky there was never a dull moment. Added to this, Andreas Schager was superb in the title …
Rise and Fall of the City of Mahagonny, ENO, February 2026
February 17, 2026This opera emerged from an earlier Singspiel, and was created by Kurt Weill and Bertoldt Brecht, who wrote the unsettling libretto exposing a dark side to capitalism, where anything goes as long as you can pay. It was produced in 1930 before Hitler came to power, an event that compelled Weill and his wife the …
Boris Godunov, Royal Opera, January 2026
January 31, 2026This second revival of the Royal Opera’s production from 2016 was a triumph for Bryn Terfel who gave a beautifully nuanced performance in the title role. The opera features a densely packed sequence of events in a formative period of modern Russia at what in England would be the Tudor period. See my review in …
HMS Pinafore, English National Opera, Dec 2025
December 5, 2025This revival of Cal McCrystal’s 2021 production clearly entertained the audience who clapped along with the music towards the end. The conductor, along with a cast held together well by Captain Corcoran, carried off a strong performance despite over-acting in the role of Dick Deadeye — see my review in The Article.
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