Tosca, Glyndebourne, May 2026
May 24, 2026This is the first time Glyndebourne have staged Tosca, and the production by Ted Huffman has given us the “shabby little shocker” a critic in the 1950s once called it. Here is a military dictatorship that kills people in cold blood, and though the ending is different from the one Puccini intended, glorious singing and …
Samson et Delila, Royal Opera, May 2026
May 14, 2026Love and betrayal — an indomitable, strong man undone by a woman — is the essence of the Biblical story, but the opera by Saint-Saëns gives Delilah a motive in which she acts out of religious zeal and patriotic fervour. This conflicts with the fact that she is bribed to betray Samson, but the wonderful …
Peter Grimes, Royal Opera, May 2026
May 7, 2026A first rate performance under the baton of Jakub Hruša, but Deborah Warner’s attempt to update the production to a more modern milieu is only partly successful. It was however elevated by Allan Clayton’s superb performance of Grimes himself. With Bryn Terfel as Captain Balstrode it should all have been more engaging, but the dull …
Flying Dutchman, Welsh National Opera, April 2026
April 18, 2026This was a musical treat under the baton of Tomáš Hanus, who is sadly leaving the WNO after ten years. He fully brought out the energy and inspiration that Wagner put into this work — the first of his extraordinary music dramas — which changed the face of opera. See my review in The Article.
Turn of the Screw, Royal Opera Linbury Studio, March 2026
March 28, 2026This was a great disappointment. Ambiguity is the essence of this Benjamin Britten opera. Are the ghosts real or are they figments of the young governess’s imagination? A production may point one way or the other, but this one used clever lighting to simply make everything very spooky. It missed the ambiguity completely — see …
Siegfried, Royal Opera, March 2026
March 20, 2026This was the third instalment of Barrie Kosky’s new Ring for The Royal Opera. It’s an opera that can drag a bit in Act I, but under the baton of Antonio Pappano and the stage direction of Barrie Kosky there was never a dull moment. Added to this, Andreas Schager was superb in the title …
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