Tag Archives: Tim Mead
Posted on 4 July 2023
In earlier operas such as Peter Grimes and Turn of the Screw, Britten had already shown a striking musical ability to interleave scenes of innocent joy with others of dark and mysterious intensity, so he was ideally suited to turning Shakespeare’s Midsummer Night’s Dream into an opera. It was first performed at Aldeburgh in 1960 …
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Posted on 22 November 2019
This new production of Britten’s final opera is a sell-out. With Mark Padmore as the ageing writer Gustav von Aschenbach, and Gerald Finley in multiple roles (Traveller, Elderly fop, Gondolier, Barber, Hotel Manager, etc.) this was an outstanding performance, and the whole run was a sell-out before it opened — see my review in The …
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Posted on 27 October 2017
The libretto for Handel’s Rodelinda, regina de’ Longobardi (queen of the longbeards, or Lombards) was written by the remarkable Nicola Francesca Haym, musician, theatre manager, performer, and even numismatist who wrote the first work on the ancient coins in the British Museum. Its huge clarity, particularly in Amanda Holden’s excellent translation, brings to life a …
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Posted on 15 June 2013
Gustav von Aschenbach, the protagonist in Thomas Mann’s 1912 novella is enraptured by a Polish boy Tadzio, just as Mann himself was during his 1911 stay at the Grand Hôtel des Bains on the Venice Lido. Britten’s opera fully brings to life Aschenbach’s suppressed passion, and the haunting Venetian soundscapes, complemented by Deborah Warner’s remarkable …
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Posted on 18 October 2012
As a great fan of recent ENO productions I was hoping for better despite the many negative comments I had heard about this one. Julius Caesar, which deals with Caesar’s visit to Egypt in 47 BC when he was chasing Pompey and met the twenty-one-year old Cleopatra, is one of Handel’s great operas, full of rich …
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Posted on 3 July 2011
The Siege of Jerusalem in 1099 is represented here by public schoolboys versus St. Trinian’s. Hockey sticks against lacrosse sticks. Super fun, and a rather good background for all the youthful amour and magical manipulations that form the heart of this Handel opera. The main feature of the story is that Rinaldo is in love …
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