Tag Archives: Stephen Gould

Tristan und Isolde, Bayreuth Festival, July 2017

At the end of Petra Lang’s beautifully sung Liebestod following her glorious performance of Isolde, a loud lonely boo broke the magic of this sublimely sung performance under the baton of Christian Thielemann. This was no criticism of Ms Lang nor Mr Thielemann, but a clearly premeditated, and hugely ill-mannered, expression of one person’s anger …

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Tristan und Isolde, Bayreuth, July 2015

Stakes were high for this 150th anniversary production of Tristan und Isolde, so little wonder that with her contract up for renewal, Festival director Katharina Wagner took the task of shaping it upon herself. My review appeared in the Telegraph, 27 July 2015

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Tristan und Isolde, Royal Opera, ROH, Covent Garden, December 2014

Does Tristan know Isolde intends to kill him with the drink in Act I? No doubt at all in Christof Loy’s production where both of them lie down to die. But though Isolde sings of hatred, the orchestra carries the truth — love — and Mr. Loy, concerned that the emotional content of the stage action …

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Wagner at the Deutsche Oper Berlin, a retrospective, February 2010

Five Wagner operas in six days … was quite a marathon, but well worth it, particularly for three of the productions.

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Tannhäuser, Deutsche Oper Berlin, Wagner Wochen, February 2010

… what really made the evening was Stephen Gould’s Tannhäuser. He was forceful and articulate with a superb tone and strong stage presence. This is the sort of singer one wants as Tristan or Siegfried — Covent Garden please note.

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Die Tote Stadt, Royal Opera, January 2009

In this imaginative production by Willy Decker, Paul was strongly sung by Stephen Gould, and Marie/Marietta by Nadja Michael, who did a superb job of the part, teasingly sexy, both as girlfriend and among her acting troupe

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