Tag Archives: Semyon Bychkov

Parsifal, Bayreuth Festival, Bayreuther Festspiele, July 2018

Parsifal in Bayreuth is one of opera’s great experiences. It is also the location of its first performance in 1882 where the marvellous acoustic of the Festspielhaus welcomes the huge dynamic range that this ‘sacred festival drama’ embodies. A thirty-year moratorium forbade stage performances elsewhere until the end of 1913, though the Royal Albert Hall hosted …

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Così fan tutte, Royal Opera, ROH, Covent Garden, September 2016

This replacement for Jonathan Miller’s gloriously effective production of Così was a disappointment. The new director Jan Philipp Gloger, whose outré Flying Dutchman I saw at Bayreuth four years ago, was trying too hard to be clever, with a potpourri of ideas centred on the juxtaposition of life and theatre. This started during the overture …

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Elektra, BBC Prom 59, Royal Albert Hall, RAH, 31 August 2014

Who needs an opera house for Elektra? Justin Way’s staging allowed plenty of space for interactions between the singers, and there was none of that dark lighting and seediness so beloved by directors of this opera. On the contrary, the house lights brightened suddenly on the first bar of music, and again at the end …

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Die Frau ohne Schatten, Royal Opera, Covent Garden, March 2014

Frau ohne Schatten is Richard Strauss’s Magic Flute, where two couples on different levels undergo severe trials before man and woman truly find one another. Like Flute there are tripartite divisions, but rather than analyse Hofmannsthal’s mysterious story, as modified by and interpreted in Strauss’s extraordinary score, let us turn to this production by German …

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Tristan und Isolde, BBC Proms, Royal Albert Hall, July 2013

One of the great things about opera at the Proms, apart from the avoidance of strange fancies by the stage director, is being able to see the orchestra and instrumental soloists. This was particularly valuable towards the end of Act I as the chorus of sailors at the rear made their presence felt, and the …

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Otello, Metropolitan Opera live cinema relay, 27th October 2012

Wonderful costumes by Peter J. Hall, excellent sets by Michael Yeargan, all beautifully lit by Duane Schuler help bring this Elijah Moshinsky production to life, along with deeply expressive music from the orchestra under the direction of Semyon Bychkov. The star of the show was Renée Fleming as Desdemona, always beautiful and coming through in …

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La Bohème with Calleja and Giannattasio, Royal Opera, Covent Garden, May 2012

This production by John Copley, first staged in 1974, has been revived twenty-four times so far — not surprising since it just gets everything right. So indeed did Joseph Calleja as Rodolfo, bringing real depth and lyricism to the role. From the very start Calleja exhibited a catching youthful energy, and after taking Mimi’s cold hand in his …

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Tannhäuser, Royal Opera, Covent Garden, December 2010

Tannhäuser himself was boldly and strongly sung by Johan Botha, whose ample frame suits the role of one who has taken his fill of earthly delights.

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Don Carlo, Royal Opera, September 2009

Imagine a Christian Taliban in Spain, putting men, women and children in Flanders — all heretics — to the sword.

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Lohengrin, Royal Opera, April 2009

Johan Botha’s Heldentenor voice gave us a superb Lohengrin, with Edith Haller as a beautifully voiced Elsa … very well complemented by the wonderful singing of Petra Lang as Ortrud, and Gerd Grochowski as Telramund

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