Posted on 21 October 2012
The revival of this production by Rufus Norris has a cast very similar to its opening run in 2010 and works rather well this time. Paul Anderson’s excellent lighting helps create a sense of dark forces at work, and is particularly effective in Act II for the scene featuring Donna Elvira, and again towards the end …
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Posted on 27 June 2012
“There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy”. So says Hamlet in the words of Shakespeare, who died eight years after that extraordinary Englishman, John Dee (1527–1608), whom he may have used as a model for Prospero in The Tempest. Part of the inspiration for this opera, according …
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Posted on 7 November 2010
This production by Rufus Norris with sets by Ian MacNeil had some nice aspects … but the plethora of good ideas was all a bit too much for me.
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