Tag Archives: Robin Ticciati

La Clemenza di Tito, BBC Prom 59, Royal Albert Hall, RAH, August 2017

Hearing the overture without the stage trickery of the Glyndebourne production allowed us to fully appreciate the glorious dramatic intensity and lightness of spirit given to Mozart’s music by Robin Ticciati and the Orchestra of the Age of Enlightenment. The absence of efforts at contemporary relevance by a director — one of the joys of …

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Abduction from the Seraglio, BBC Proms, Prom 38, Albert Hall, RAH, 14 August 2015

When the performance began I wondered whether Glyndebourne had made the right decision in bringing Seraglio to the Proms, as opposed to one of their other new productions such as Donizetti’s Poliuto or Handel’s Saul, which would have sounded well in the Albert Hall. Mozart’s Seraglio, performed in Glyndebourne under its original title Die Entführung …

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Die Entführung aus dem Serail, Glyndebourne, GFO, June 2015

For a summer evening in a relatively intimate theatre this Mozart Singspiel, making its 197th performance at Glyndebourne, is perfect. Yet the production by David McVicar is entirely new. Sensitive and stylish, with excellent designs by Vicki Mortimer, beautifully lit by Paule Constable, it brings out the strong points and charming absurdities of this engaging …

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Der Rosenkavalier, BBC Proms, Albert Hall, RAH, July 2014

After all that kerfuffle about Octavian at the opening night of Glyndebourne’s new Rosenkavalier it was a pleasure to see this concert performance and confirm two things. Glyndebourne was absolutely right to choose Tara Erraught for the role, and while I blamed director Richard Jones for the ill-fitting clothing on opening night (see my review) …

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La Finta Giardiniera, Glyndebourne, June 2014

Pretending is what Finta is all about — the title itself means The Pretend Gardener — but too much pretence can make you can lose your way, which is exactly what happens here. The separated lovers, Sandrina (aka La Marchesa Violante Onesti) and Count Belfiore have to find themselves and one another before they can …

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Der Rosenkavalier, Glyndebourne, May 2014

Glyndebourne’s 80th anniversary festival, dedicated to the late Sir George Christie, son of the founder and the man who built the present opera house, opened just ten days after his death. His son Gus came onstage at the start to offer a tribute to his ‘dear old Dad’, and in honour of the 150th anniversary …

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Eugene Onegin, Royal Opera, Covent Garden, February 2013

Artistic director Kasper Holten decided quite sensibly to take over the scheduled revival of an earlier production, and do something new. He was already endowed with some fine singers, so there were excellent performances here, including sympathetic conducting by Robin Ticciati. Simon Keenlyside sang strongly as Onegin though the production prevented him from giving a full portrayal …

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Le Nozze di Figaro, Glyndebourne, June 2012

If you demand this opera in eighteenth century costume — and I overheard some in the audience who did — then forget it. But if you are happy to see a more up to date interpretation, then this is a winner. It’s the 1960s and Almaviva is one of the nouveau riche, possibly a pop star, …

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