Tag Archives: Orchestra of the Age of Enlightenment
Posted on 29 August 2017
Hearing the overture without the stage trickery of the Glyndebourne production allowed us to fully appreciate the glorious dramatic intensity and lightness of spirit given to Mozart’s music by Robin Ticciati and the Orchestra of the Age of Enlightenment. The absence of efforts at contemporary relevance by a director — one of the joys of …
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Posted on 5 September 2016
Based on a drama by Voltaire, this Rossini opera centres round the legendary if fictional Queen Semiramide (Semiramis) of Babylon, a source of endless fascination for Classical and Renaissance authors, who based their fables on Persian sources. The legend is derived from at least two Assyrian queens: Sammuramat (the origin of the name) in the …
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Posted on 15 August 2015
When the performance began I wondered whether Glyndebourne had made the right decision in bringing Seraglio to the Proms, as opposed to one of their other new productions such as Donizetti’s Poliuto or Handel’s Saul, which would have sounded well in the Albert Hall. Mozart’s Seraglio, performed in Glyndebourne under its original title Die Entführung …
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Posted on 30 July 2015
When Handel first produced this oratorio in 1738 the audience would have been completely au fait with the Biblical story of Saul, the king of a people previously presided over by judges and prophets such as Samuel, who anointed him as their first king. He also anointed David as his successor, but in the oratorio …
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Posted on 14 June 2015
For a summer evening in a relatively intimate theatre this Mozart Singspiel, making its 197th performance at Glyndebourne, is perfect. Yet the production by David McVicar is entirely new. Sensitive and stylish, with excellent designs by Vicki Mortimer, beautifully lit by Paule Constable, it brings out the strong points and charming absurdities of this engaging …
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Posted on 8 July 2013
This is the third Rameau opera I have seen in as many years, and I understand the problem. Rameau’s delightful music — played here on original instruments by the Orchestra of the Age of Enlightenment under the excellent baton of William Christie — is full of wonderful dance rhythms. The question is what to do …
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Posted on 21 July 2012
A Midsummer Night’s Dream as Gesamtkunstwerk, with actors, singers, and dancers in Purcell’s remarkable semi-opera, is given here in an eclectic production by Jonathan Kent combining the seventeenth century with modern times — linked of course by the fairies. It all starts in a Restoration drawing room with a Restoration version of Shakespeare. His play within a …
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Posted on 28 June 2012
If you demand this opera in eighteenth century costume — and I overheard some in the audience who did — then forget it. But if you are happy to see a more up to date interpretation, then this is a winner. It’s the 1960s and Almaviva is one of the nouveau riche, possibly a pop star, …
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