Tag Archives: Nicholas Lester

La Cenerentola, Opera Holland Park, OHP, July 2016

Rossini’s delightful Cenerentola is just the thing for Opera Holland Park, particularly in this charming a witty Oliver Platt production brought to life by a fine cast. The splendid designs by Neil Irish contrast the black, white and silver of the courtiers in the ball scene, with the garish colours of the ugly sisters and …

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Barber of Seville, Welsh National Opera, WNO, Cardiff, February 2016

This is the first of a trio of operas — along with The Marriage of Figaro, and a new opera called Figaro’s Divorce — from Welsh National Opera for Spring 2016, all co-productions with the Grand Théâtre de Genève, where they will appear later. Continuity between the three is provided by the design team, which …

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Lakmé, Opera Holland Park, OHP, July 2015

This Delibes opera about the days of the Raj, when a British officer falls in love with the daughter of a Brahmin priest, expresses a late nineteenth and early twentieth century fascination with exotic locales — think Pearl Fishers and Madama Butterfly — and like Butterfly is based on a work by French novelist and …

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The Jacobin, Buxton Opera Festival, July 2014

The Jacobins were the hard-core French revolutionaries who inspired the Reign of Terror, and in this Dvořak opera the Count has been persuaded that his son Bohuš has become a Jacobin. Correcting this calumny and persuading the Count he has been misled appears to recede into the distance towards the end … yet suddenly the …

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Il Barbiere di Siviglia, Opera Holland Park, OHP, June 2014

Rossini’s Barber is always fun, and Oliver Platt’s new production for Opera Holland Park gives it a nineteenth century London touch, complete with lamplighters, Bow Street Runners and a drunken sot who claims his shilling as if he were one of the street musicians. The designs by Neil Irish work very well in this context and I …

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Eugene Onegin, English Touring Opera, ETO, Hackney Empire, March 2012

Having seen Onegin performed on a large stage by major opera companies, with glamorous ball scenes and spacious settings for the Larin country estate, I approached this smaller stage production with some trepidation. But it was a revelation. The simple sets provide the perfect atmosphere, and the performance gives a wonderful insight into Tchaikovsky’s representation of Pushkin’s drama. The solo …

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