This was a Lear of extraordinary power and depth, performed not by Shakespearean actors but opera singers. With Emma Bell as Lear’s daughter Regan, Kim Begley as the Fool, Thomas Allen as Gloucester, and John Tomlinson as Lear it delves deeply into what lies behind the surface of power. See my review in The Article.
Tag Archives: King Lear
From the first moments of irascible folly to the final moments of grief as he cradles the body of his dearest Cordelia, Derek Jacobi’s Lear came alive on stage in a way that made this relatively long play seem to race past in no time. The production by Michael Grandage, touring from the Donmar, uses …
One might expect an operatic treatment of King Lear to be of Wagnerian proportions, yet Alexander Goehr’s version lasts only one and three quarter hours, including an interval.