Mainly Opera and Ballet
Based on Oscar Wilde’s 1891 play Salomé, this opera uses the nexus of eroticism and death to dramatise proto-Christian ideas in the Holy Land. Its main protagonists are the anti-heroine Salome and John the Baptist whose head she demands on a platter. Conducting by Alexander Soddy fully brought out the drama, sexuality and passion of …
Lady Macbethis an opera that needs to be seen in the theatre, and its powerful dramatic impact is beautifully illuminated by this 2004 production by Richard Jones — the first at the Royal Opera House. Based on an 1865 novella by Nikolai Leskov the opera, but omitting the third murder, committed for purely mercenary reasons, …
This third revival of David McVicar’s production sees subtle changes in Salome’s dance. She engages in a more sensuous interaction with Herod, without the rag doll she used previously, but it suited the conducting of Henrik Nánási, more lyrical than lecherous at this point, while the restrained power he produced from the orchestra drove Strauss’s …
A woman trapped in comfortable domestic surroundings, while her husband’s busy world goes on all around, takes a lover. Her actions and emotions spiral out of control, her once luxurious bedroom vanishes and she ends up in a prison cell — such is the setting well realised by director Dmitri Tcherniakov … apart from the …
For this revival of Elektra, in Charles Edwards blood soaked production (previously seen in 2003 and 2008), the orchestra produced terrific emotional power under the direction of Andris Nelsons. They played with huge conviction, and the cast sang superbly, none more so than Adrianne Pieczonka as Chrysothemis. From her first entrance to the final words …
