Tag Archives: Johannes Martin Kränzle

Die Meistersinger von Nürnberg, Bayreuth Festival, July 2017

Wagner’s Nuremberg is a city of trials: Walther’s trial by the Mastersingers in Act 1, Beckmesser’s trial by Sachs as he delivers his serenade in Act 2, and their separate trials by the people in Act 3. Yet fifty years after Wagner’s death, Hitler took power and Nuremberg became the venue for those post-war Nazi …

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Die Meistersinger von Nürnberg, Royal Opera, ROH, Covent Garden, March 2017

As the Royal Opera and Kasper Holten part company, this is his last throw of the dice. Like many continental European directors he delivers us a ‘concept’, and in the first two acts I was puzzled to know why it necessitated the abandoning of the church, Sach’s house, Pogner’s house, and the street. Act I …

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Così fan tutte, Royal Opera, ROH, Covent Garden, September 2016

This replacement for Jonathan Miller’s gloriously effective production of Così was a disappointment. The new director Jan Philipp Gloger, whose outré Flying Dutchman I saw at Bayreuth four years ago, was trying too hard to be clever, with a potpourri of ideas centred on the juxtaposition of life and theatre. This started during the overture …

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Götterdämmerung, BBC Proms, Royal Albert Hall, July 2013

At the end, Barenboim held his baton up, and five thousand people held their applause. As he let the baton drop the cheers started, and continued until he came on one last time to make a small speech, thanking the orchestra, singers, and indeed the audience for its wonderful silence and rapt attention. He also …

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Siegfried, BBC Proms, Royal Albert Hall, July 2013

A young man brought up in a foreign country encounters an old man who gets in his way, so he sweeps him aside with his sword, not knowing it is his grandfather. Shades of the Oedipus myth here, but the curse comes not from marrying his mother but taking the Ring. The old man, Wotan, …

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Das Rheingold, BBC Proms, Royal Albert Hall, 22 July 2013

What a terrific start to the Ring this was. Even before Daniel Barenboim entered the auditorium, to huge applause, there was a real buzz of anticipation and it all ended with a sustained ovation. I was not intending to write this up until the end of the cycle, particularly having heard the same conductor and …

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Götterdämmerung, Staatsoper Berlin, Schiller Theater, April 2013

When the Rheinmaidens playfully tease Siegfried at the start of Act II, their musical movements were far better than the unmusicality of the irritatingly intrusive dancers, who reappeared in this final part of The Ring. Their manipulation of silk sheets was fine, but this is the first time I have seen opera ladies move more gracefully …

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Das Rheingold, Staatsoper Berlin, Schiller Theater, April 2013

The lights went down and all was silence. In the partially covered pit the conductor was invisible but slowly a quiet E flat emerged. Daniel Barenboim’s restrained conducting allowed huge clarity for the singers and plenty of scope for the brass at big moments. It was a coolly intriguing prelude to The Ring. The stage …

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Die Meistersinger von Nürnberg, Glyndebourne, May 2011

This new production of Meistersinger by David McVicar elicited thunderous applause at the end. And what an end it was, with Hans Sachs’s monologue being given its full force in a way I’ve not seen before. When Walther refuses the award of Mastership from Pogner, Gerald Finley as Sachs draws him aside to stage right, and his …

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