Tag Archives: Hartmut Haenchen
Posted on 28 July 2017
In Wagner’s final and most abstract opera, Uwe Eric Laufenberg’s superb production sets the mystical land of the Grail in the Middle East. The exact location appears fleetingly on a map during the Act 1 journey to the Grail ceremony where Gurnemanz explains that space and time become one, which they do at the speed …
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Posted on 27 July 2016
Can Christians, Jews and Muslims live in harmony in the Middle East? The final scene of Bayreuth’s new Parsifal supplies a message of hope when these three faiths come together in the opera’s final act of redemption. My review appeared in the Daily Telegraph, 27 July 2016
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Posted on 27 April 2016
This first revival of Tim Albery’s 2010 production was very welcome, with a cast in some ways stronger than that of five seasons ago. The most prominent feature of the production is the on-stage version of the main proscenium arch complete with Royal Opera House curtains, representing the entrance to the Venusberg. Its later decayed …
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Posted on 4 July 2010
The evening belonged to Angela Denoke in the title role, and Hartmut Haenchen in the pit, who drew a mixture of gentle lyricism and immense power from the orchestra.
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