Tag Archives: Gwyn Hughes Jones

Aida, English National Opera, ENO, London Coliseum, Sept 2017

This brand new Aida from Phelim McDermott, whose stunning Akhnaten for the ENO in 2016 won the Olivier Award earlier this year, showed once again some spectacular theatre aided by the Improbable company. It all started with great subtlety as the curtain peeped open, at first showing just a small triangle of light at the …

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Die Meistersinger von Nürnberg, Royal Opera, ROH, Covent Garden, March 2017

As the Royal Opera and Kasper Holten part company, this is his last throw of the dice. Like many continental European directors he delivers us a ‘concept’, and in the first two acts I was puzzled to know why it necessitated the abandoning of the church, Sach’s house, Pogner’s house, and the street. Act I …

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Tosca, English National Opera, ENO, London Coliseum, October 2016

This second revival of Catherine Malfitano’s powerful production, with its massive sets for the first two acts and surreal night sky for the pre-dawn execution of Act III, makes the perfect follow-up to last Friday’s excellent season opening — Richard Jones’s intriguing take on Don Giovanni. This allows the blood and passion of Puccini’s masterpiece …

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The Force of Destiny, English National Opera, ENO, London Coliseum, November 2015

The unusually abstract title of this mature yet seldom-performed Verdi opera could be rephrased as ‘the force of anger’. The Marquis of Calatrava’s ferocity at his daughter Leonora’s choice of husband leads to his accidental death, and his son Don Carlo’s furiously determined revenge leads to his own death and that of his sister. “Vengeance …

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The Mastersingers of Nuremberg, English National Opera, ENO, London Coliseum, February 2015

Although one of the greatest operas ever written, it is not unknown for directors and conductors to make a mess of it, even at Wagner’s own temple in Bayreuth, but not at the ENO, thank God! This resounding success throws down the gauntlet to those Beckmessers in the Arts Council who not only mark down …

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Manon Lescaut, Welsh National Opera, WNO, Cardiff, February 2014

Who is Manon? At the end of this production, Des Grieux’s confusion is represented by two identical versions of her on stage, elegantly dressed in black raincoat and high heels. The bleak plains of Louisiana are absent, replaced by what is a running theme in this staging — the modern world of airports and train …

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Madam Butterfly, English National Opera, ENO, London Coliseum, May 2012

Anthony Minghella died four years ago, but his wonderful English National Opera production of Madam Butterfly lives on. Created in 2005 it attracted huge acclaim and won the Olivier Award for best new opera production. Those who attend live relays from the Metropolitan Opera in New York may have seen it in the cinema in 2009, but it’s better in …

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Der Rosenkavalier, English National Opera, ENO, London Coliseum, January 2012

For those who love this Strauss/Hofmannsthal collaboration, the programme booklet contains an interesting essay by Mike Reynolds, describing the vital contributions by Hofmannsthal’s collaborator, Count Harry Kessler. This well-connected and talented man, who was brought up in France, England and Germany, chose the plot and had a huge influence on its structure and realisation. The …

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Tosca, English National Opera, ENO, London Coliseum, November 2011

Catherine Malfitano’s production of Tosca opens with a bang, not just from the excellent conducting of Stephen Lord, but the sudden appearance of the escaped prisoner Angelotti, centre stage at the rear of the church. He turns and flies forward, a dramatic move that sets the scene for this most theatrical of operas. Cavaradossi’s entrance …

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La Bohème, English National Opera, ENO at the London Coliseum, October 2010

… Mimi herself was the star of the show, gloriously sung by Elizabeth Llewellyn, making her ENO debut.

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