Tag Archives: Götterdämmerung

Wagner’s Ring: Siegfried and Götterdämmering, Bayreuth, August 2013

The overall conception of this production is seediness, but the main problem is a failure of dramaturgy and linkage to the music. There is a sword, originally held by Siegmund, but Siegfried uses a machine-gun for killing Fafner, and although Hagen brings out a spear for the opposing oaths of Brünnhilde and Siegfried, he simply …

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Götterdämmerung, BBC Proms, Royal Albert Hall, July 2013

At the end, Barenboim held his baton up, and five thousand people held their applause. As he let the baton drop the cheers started, and continued until he came on one last time to make a small speech, thanking the orchestra, singers, and indeed the audience for its wonderful silence and rapt attention. He also …

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Der Ring des Nibelungen, Longborough, June/ July 2013

Longborough Festival Opera provided one of the most memorable moments in any Ring I’ve seen — as the lights went out at the end of Walküre a stunned silence enveloped the audience for at least half a minute. Wotan’s farewell to Brünnhilde over, a mist surrounded the god as he knelt by the sleeping body of his …

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Götterdämmerung, Staatsoper Berlin, Schiller Theater, April 2013

When the Rheinmaidens playfully tease Siegfried at the start of Act II, their musical movements were far better than the unmusicality of the irritatingly intrusive dancers, who reappeared in this final part of The Ring. Their manipulation of silk sheets was fine, but this is the first time I have seen opera ladies move more gracefully …

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Götterdämmerung, Longborough Festival Opera, LFO, July 2012

After the success of previous years with Rheingold, Walküre and Siegfried, and now with this production of Götterdämmerung, Longborough Opera is ready for a full Wagner Ring next summer. The gold stolen from the Rheinmaidens, which Alberich turned into a ring of great power and Wotan stole from him to pay for Valhalla, is eventually returned …

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Götterdämmerung, Metropolitan Opera live cinema relay, February 2012

Rossini is said to have commented that Wagner had some beautiful moments, but terrible quarters of an hour. Whether this is genuine, I don’t know, but Rossini never heard Götterdämmerung, which is riveting, from the Norns with their rope of fate at the start to Brünnhilde’s immolation at the end. In the right hands with the right singers Götterdämmerung is magnificent, and …

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Götterdämmerung, The Ring, and the Euro

As the Metropolitan Opera in New York completes its Ring cycle with Götterdämmerung (Twilight of the Gods), could there be an analogy with the fate of the Euro? My review of the Met’s live relay of Götterdämmerung will appear on February 12. Eurodämmerung Wagner’s Ring starts with the Niebelung, Alberich forging a ring of power from …

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