Tag Archives: Georg Zeppenfeld

Parsifal, Bayreuth Festival, July 2017

In Wagner’s final and most abstract opera, Uwe Eric Laufenberg’s superb production sets the mystical land of the Grail in the Middle East. The exact location appears fleetingly on a map during the Act 1 journey to the Grail ceremony where Gurnemanz explains that space and time become one, which they do at the speed …

Read more >


Parsifal, Bayreuth Festival, July 2016

Can Christians, Jews and Muslims live in harmony in the Middle East? The final scene of Bayreuth’s new Parsifal supplies a message of hope when these three faiths come together in the opera’s final act of redemption. My review appeared in the Daily Telegraph, 27 July 2016

Read more >


Tristan und Isolde, Bayreuth, July 2015

Stakes were high for this 150th anniversary production of Tristan und Isolde, so little wonder that with her contract up for renewal, Festival director Katharina Wagner took the task of shaping it upon herself. My review appeared in the Telegraph, 27 July 2015

Read more >


Meistersinger, Bayreuth Festival, July 2011

Tickets for Bayreuth are hard to come by, so you know something’s wrong when people are disposing of Meistersinger at half price outside the theatre.

Read more >


Lohengrin, Bayreuth Festival, July 2011

The video projections of rats fighting and metaphorically trying to take over the kingdom were clever, and I loved the opening of Act II with a dead horse and overturned carriage.

Read more >


Tristan und Isolde, Glyndebourne, August 2009

This was Glyndebourne’s 2003 production by Nikolaus Lehnhoff,…[and] it works terrifically well, with a set by Roland Aeschlimann featuring a broken vortex of huge curved girders.

Read more >