Tag Archives: Elena Pankratova

Parsifal, Bayreuth Festival, July 2017

In Wagner’s final and most abstract opera, Uwe Eric Laufenberg’s superb production sets the mystical land of the Grail in the Middle East. The exact location appears fleetingly on a map during the Act 1 journey to the Grail ceremony where Gurnemanz explains that space and time become one, which they do at the speed …

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Parsifal, Bayreuth Festival, July 2016

Can Christians, Jews and Muslims live in harmony in the Middle East? The final scene of Bayreuth’s new Parsifal supplies a message of hope when these three faiths come together in the opera’s final act of redemption. My review appeared in the Daily Telegraph, 27 July 2016

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Die Frau ohne Schatten, Royal Opera, Covent Garden, March 2014

Frau ohne Schatten is Richard Strauss’s Magic Flute, where two couples on different levels undergo severe trials before man and woman truly find one another. Like Flute there are tripartite divisions, but rather than analyse Hofmannsthal’s mysterious story, as modified by and interpreted in Strauss’s extraordinary score, let us turn to this production by German …

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