Tag Archives: concert review
Posted on 31 July 2016
This remarkable choral symphony is a broader and deeper work than the composer’s earlier and oft-played Symphonie fantastique. Based on David Garrick’s mid-eighteenth century version of Shakespeare’s play, which held the stage for some hundred years, its seven parts start with an overview of the heady emotions involved, and end with reconciliation between Montagues and …
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Posted on 15 August 2015
When the performance began I wondered whether Glyndebourne had made the right decision in bringing Seraglio to the Proms, as opposed to one of their other new productions such as Donizetti’s Poliuto or Handel’s Saul, which would have sounded well in the Albert Hall. Mozart’s Seraglio, performed in Glyndebourne under its original title Die Entführung …
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Posted on 12 August 2015
Programming at the Proms can be outstanding, and this was a case in point. Starting with Boulez’ Figures – Doubles – Prismes for an evening whose climax is Firebird was an inspired choice. An article in the programme describes this piece for three ensembles — appearing on stage as a single orchestra — as a …
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Posted on 18 March 2013
Wagner was 20 when he wrote this opera, and it was never performed in his lifetime. Seeing it in Fulham forty years ago I was amazed at its sophistication, and delighted with the Chelsea Opera Group’s concert performance last night. The two main characters, Arindal and Ada have the same names as in Wagner’s first …
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Posted on 22 August 2012
Combining Valery Gergiev and the London Symphony Orchestra to play ballet music is a winner. At the Proms in 2008 they gave an electrifying performance of Tchaikovsky’s Sleeping Beauty, and this year they produced a superb rendering of Prokofiev’s Cinderella. Cinderella tends to be less well-known than Prokofiev’s Romeo and Juliet, and partly for that reason less favoured on radio broadcasts, …
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Posted on 7 June 2012
This concert was a fine mixture of solos, duets, and trios, plus two choral sections, and purely orchestral pieces played here by the Royal Philharmonic Orchestra under the direction of Claudio Vandelli. It began with that delightful Rossini overture to L’italiana in Algeri, which starts almost silently before moving into higher gear. This gave just the …
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