Tag Archives: Christine Rice

The Minotaur, Royal Opera, Covent Garden, January 2013

The opening night of this revival ended with a tribute to John Tomlinson for 35 years of wonderful service to the ROH — highly appropriate since composer Harrison Birtwistle has said Tomlinson was the key to writing this opera, which had been brewing in his mind for many years. The first scene shows Christine Rice as Ariadne on …

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Rigoletto, Royal Opera, Covent Garden, March 2012

In Act III of this opera, Rigoletto takes his daughter Gilda to Sparafucile’s tavern to show her the Duke’s real nature. She hears him singing La donna è mobile, sees him having fun with Maddalena, and is shocked and heartbroken. Her father takes her home, sends her off to Verona, but … being too busy arranging the …

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Tales of Hoffmann — a second view, ENO, London Coliseum, February 2012

This was a second visit to the English National Opera’s new production of Hoffmann, a joint venture with the Bavarian State Opera. The cast was identical — see my previous review for more details — and once again, Georgia Jarman gave a remarkable performance as all three lovers: Olympia, Antonia, and Giulietta, along with the silent role of Stella …

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The Tales of Hoffmann, English National Opera, ENO, London Coliseum, February 2012

E.T.A. Hoffmann was a jurist, composer, critic, cartoonist, and author of fantastic tales that form the basis for Nutcracker and Coppelia. His stories about a composer named Kreisler inspired Schumann to his Kreisleriana, and after his death this polymath became a character in a play by Jules Barbier and Michel Carré, which Offenbach adopted, with a libretto by Barbier, for what is surely …

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The Damnation of Faust, English National Opera, ENO, London Coliseum, May 2011

This is ostensibly a French opera sung in English, though it’s not really an opera but a légende dramatique by Hector Berlioz — a musical and vocal canvas on which a clever director can paint his own picture. And this is exactly what Terry Gilliam does by turning the whole thing into a history about the rise …

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Radamisto, English National Opera, ENO at the London Coliseum, October 2010

On 27th April 1720, a month before his sixtieth birthday, King George I attended the opera with his son the Prince of Wales. They’d only recently reunited after not speaking to another for three years, so this was just the right opera to see.

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Les Contes d’Hoffmann, Royal Opera, November 2008

Olympia was sung and acted to perfection by Ekaterina Lekhina … and I shall always remember this as the highlight of the evening.

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