Tag Archives: Christian Curnyn

Partenope, English National Opera, ENO, London Coliseum, March 2017

When this Handel opera first opened in London in 1730 it came as something of a surprise from a composer known for his serious opera (opera seria). Despite a structure that follows that form however, its romantic complications and gender confusion make for a light-hearted comedy. Partenope, the founder of Naples in classical legend, appears …

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L’Ormindo, Sam Wanamaker Playhouse, London, March 2014

The last time the Royal Opera House put on a Cavalli opera was in autumn 2008 with an elaborate post-modern take on La Calisto. This time the emphasis is on authenticity, and the star of the show is the new small and intimate Sam Wanamaker Playhouse, a candlelit auditorium recently attached to the Globe Theatre. …

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Rodelinda, English National Opera, ENO, London Coliseum, March 2014

First performed in 1725 this Handel opera, set in seventh century Milan, boasted the famous castrato Senesino as Berterido, husband of Rodelinda. He has lost his throne, is now presumed dead, and his position has been usurped by Grimoaldo, who has fallen in love with Rodelinda, despite being betrothed to Berterido’s sister Eduige. Tastes have …

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Medea, English National Opera, London Coliseum, February 2013

Spectacular success for the ENO gives audiences the British premiere of this baroque jewel that has lain in the shadows for about 300 years. With an excellent libretto by Thomas Corneille, well translated by Christopher Cowell, this terrific production by David McVicar makes compelling theatre. Excellent choreography by Lynne Page suits both music and drama, Paule Constable’s lighting gives …

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Julius Caesar, English National Opera, ENO, London Coliseum, October 2012

As a great fan of recent ENO productions I was hoping for better despite the many negative comments I had heard about this one. Julius Caesar, which deals with Caesar’s visit to Egypt in 47 BC when he was chasing Pompey and met the twenty-one-year old Cleopatra, is one of Handel’s great operas, full of rich …

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Castor and Pollux, English National Opera, ENO, London Coliseum, October 2011

Originally composed in 1737 this opera was revised in 1754 and subsequently became Rameau’s most popular. Castor and Pollux are brothers, the former mortal, the latter immortal, and the start of the story is roughly that Castor is adored by Phoebe and her sister Telaira, who is betrothed to Pollux. He gives her up so …

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