Tag Archives: Allan Clayton

Hamlet, Glyndebourne, GFO, June 2017

Wow! As a friend remarked at the interval, during this hugely theatrical performance, “we were on the edge of our seats”. How did Australian composer Brett Dean and his librettist Matthew Jocelyn do it? Certainly Neil Armfield’s excellent direction, Jon Clark’s wonderful lighting, and the large set designs by Ralph Myers, which the performers themselves …

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Die Meistersinger von Nürnberg, Royal Opera, ROH, Covent Garden, March 2017

As the Royal Opera and Kasper Holten part company, this is his last throw of the dice. Like many continental European directors he delivers us a ‘concept’, and in the first two acts I was puzzled to know why it necessitated the abandoning of the church, Sach’s house, Pogner’s house, and the street. Act I …

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Don Giovanni, English National Opera, ENO, London Coliseum, October 2016

The Don is dead. Long live the Don. Such is the message of this new ENO production by Richard Jones where the Don personifies a force of nature on which women can hang their fantasies. It all starts during the overture where we see Giovanni taking innumerable women through a door guarded by Leporello, and …

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The Magic Flute, English National Opera, ENO, London Coliseum, February 2016.

English National Opera’s outreach to a younger and wider audience is well served by Simon McBurney’s (Complicite Theatre) production, first shown in 2013. Purists may object to the numerous theatrical innovations, but on the other hand this opera was originally conceived as a Singspiel, in other words a play with music, and its librettist Emanuel …

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The Magic Flute, Welsh National Opera, WNO, Cardiff, February 2015

The remarkable freshness of Dominic Cooke’s 2005 production is superbly complemented by Lothar Koenigs’ conducting. He invested the overture with tremendous dramatic energy and as the opera developed fully brought out its theatrical side. Theatrical it is indeed, its librettist Schikaneder having created it for his own suburban vaudeville theatre rather than an opera house, …

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Otello, English National Opera, ENO, London Coliseum, September 2014

After the end of a terrific performance, director David Alden was presented with two gifts to celebrate the 30th anniversary of his work with the ENO, whom he extolled as his favourite opera company in the world. That they work so well together is amply illustrated in this production whose huge enclosing set allows the stage …

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A Midsummer Night’s Dream, English National Opera, ENO, London Coliseum, May 2011

…if you’re willing to accept a representation of mysterious forces in the otherwise mundane world of human beings, then this is strongly recommended as an intriguing take on Britten’s opera.

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