Tag Archives: Adela Ramirez
Posted on 12 June 2014
Ballet in the round has its advantages, particularly the greater scope for patterns when playing to all sides of the auditorium. These can involve lots of dancers, or just a few as in early Act III with the Capulet parents, Paris, Juliet and her nurse interweaving in an intriguing way. You need a little height …
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Posted on 10 January 2013
Kenneth MacMillan’s production of Sleeping Beauty, with its glorious costumes by Nicholas Geogiardis, is a joy to watch, the sets by Peter Farmer reflecting a mistiness in the world beyond the action like some famous Renaissance paintings. The expression of the action is crystal clear in its use of mime, and for anyone unfamiliar with the conventions a helpful …
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Posted on 4 August 2012
The English National Ballet’s production of Swan Lake is hard to beat, and it was beautifully danced, so don’t miss it. Wonderful designs by Peter Farmer with clever lighting by Howard Harrison, give a misty otherworldiness to the background in Acts I and III. That other world is where Act II and IV take place, and the stage and …
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Posted on 12 December 2011
The original story by E.T.A. Hoffmann interweaves the real and magical worlds, with Drosselmeyer’s toy Nutcracker based on his own nephew. Wayne Eagling’s production, based on a joint idea with Toer van Schayk, combines the two worlds in various clever ways and the nephew, who appears in the party scene of Act I, later interchanges with …
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Posted on 23 July 2011
Roland Petit died less than two weeks ago, and the remarkable timing of this triple bill made it a wonderful tribute to his choreography. That I happened to go on July 22, rather than the first night was entirely fortuitous, and we were rewarded by an incredible performance of Le jeune homme brilliantly danced by guest artist Ivan Vasiliev, shown in …
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Posted on 12 August 2010
This is a very welcome revival of Michael Corder’s production, with beautiful dancing by Daria Klimentova as Cinderella, very well supported by Vadim Muntagirov as the prince.
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Posted on 31 December 2008
Carping aside, Andre Portasio stood out as a magnificent Carabosse, but even he couldn’t overcome the plodding work of the conductor, and that is what killed this performance. The dancers tried their best, but there was no sustained applause, and it was a sadly dull evening.
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