Two completely new ballets, plus one staple from the Balanchine repertoire, made a very well judged triple bill. Alexei Ratmansky’s dances to Chopin’s 24 Preludes were sandwiched between the ethereal Apollo, and Christopher Wheeldon’s powerful new creation to Benjamin Britten’s Sinfonia da Requiem. More on that later, but first to Apollo. Patricia Neary’s staging goes back to Balanchine’s …
Tag Archives: Adam Silverman
…if you’re willing to accept a representation of mysterious forces in the otherwise mundane world of human beings, then this is strongly recommended as an intriguing take on Britten’s opera.
As I took my seat on the first night a young man said to his companion that this was better than Puccini. On the other hand I know of someone who walked out of the dress rehearsal at the first interval saying this was not opera. My opinion falls in between such strikingly different reactions.
… this dark and theatrically powerful opera is a must-see, and you would have to go a long way to find better singing or conducting — they were both virtually unbeatable.
Altogether, David Alden has created a particularly malicious take on the story, and it works.
With thirteen musicians in the pit, under the direction of Charles Makerras, the musical rendering could not be better
…what really drove Britten’s masterpiece home was Stuart Skelton [as Grimes], Felicity Palmer [as Mrs. Sedley], the chorus, and the conductor Edward Gardner.