Tag Archives: Adam Silverman

Andrea Chenier, Royal Opera, ROH, Covent Garden, January 2015

In an entirely unexpected coincidence this new production of an opera about the 1794 French Reign of Terror had its first night less than two weeks after the terrorist attacks in Paris. I refer to the execution of journalists at Charlie Hebdo who, like the real André Chenier, transformed their pens into sharp weapons against …

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Otello, English National Opera, ENO, London Coliseum, September 2014

After the end of a terrific performance, director David Alden was presented with two gifts to celebrate the 30th anniversary of his work with the ENO, whom he extolled as his favourite opera company in the world. That they work so well together is amply illustrated in this production whose huge enclosing set allows the stage …

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Royal Ballet Triple: Apollo/ 24 Preludes/ Aeternum, Covent Garden, February 2013

Two completely new ballets, plus one staple from the Balanchine repertoire, made a very well judged triple bill. Alexei Ratmansky’s dances to Chopin’s 24 Preludes were sandwiched between the ethereal Apollo, and Christopher Wheeldon’s powerful new creation to Benjamin Britten’s Sinfonia da Requiem. More on that later, but first to Apollo. Patricia Neary’s staging goes back to Balanchine’s …

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A Midsummer Night’s Dream, English National Opera, ENO, London Coliseum, May 2011

…if you’re willing to accept a representation of mysterious forces in the otherwise mundane world of human beings, then this is strongly recommended as an intriguing take on Britten’s opera.

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Adriana Lecouvreur, Royal Opera, Covent Garden, November 2010

As I took my seat on the first night a young man said to his companion that this was better than Puccini. On the other hand I know of someone who walked out of the dress rehearsal at the first interval saying this was not opera. My opinion falls in between such strikingly different reactions.

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Katya Kabanova, English National Opera, ENO at the London Coliseum, March 2010

… this dark and theatrically powerful opera is a must-see, and you would have to go a long way to find better singing or conducting — they were both virtually unbeatable.

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Lucia di Lammermoor, English National Opera, ENO, London Coliseum, February 2010

Altogether, David Alden has created a particularly malicious take on the story, and it works.

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The Turn of the Screw, ENO, English National Opera, October 2009

With thirteen musicians in the pit, under the direction of Charles Makerras, the musical rendering could not be better

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Peter Grimes, English National Opera, London Coliseum, May 2009

…what really drove Britten’s masterpiece home was Stuart Skelton [as Grimes], Felicity Palmer [as Mrs. Sedley], the chorus, and the conductor Edward Gardner.

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