Mainly Opera and Ballet
For dancing and characterisation of the roles this second performance in the current run was close to perfection. Steven McRae and Evgenia Obraztsova, guest principal from the Bolshoi Ballet, took us to an ethereal world beyond technique. When we first encounter her with her nurse she charmed us with her airy grace, and her sweetness …
For this opera, Verdi was presented with a script by Eugène Scribe, who simply modified an old libretto for Donizetti. The new Verdi opera was supposed to be based on the Sicilian uprising against French rule in 1282, whereas the earlier libretto (Le duc d’Albe) for Donizetti was based on events in 1573 when the …
After a 20-minute delay caused by computer problems — oh, for the days when stage equipment at Sadler’s Wells could be operated by hand — this excellent triple bill of David Bintley ballets proved well worth the wait. In the first, Bintley uses Einstein’s equation E=mc2, expressing the equivalence of energy E and mass m, …
Puccini’s Madam Butterfly may not be my favourite opera, but this Anthony Minghella production is magical. The silent pulling of a rope to raise a screen before the start, and then the mime that pre-signifies the trapped Butterfly at the end, opens us to a world different from our own. In Act I the extraordinarily …
This new production is by Christopher Alden, twin brother of David Alden whose many successful ENO works include the present, very successful Peter Grimes production, being revived in Jan/Feb 2014. By contrast, Christopher’s Fledermaus production, which I was not able to see on the first night, attracted very negative reviews and during the interval I …
When Carlos Acosta’s new Don Quixote opened at the end of September, most critics were cautiously optimistic but only gave it three stars. Making the opening performance a Gala may have been a good idea for ticket receipts but not for the dancers, and nothing really gelled until the final scene. By contrast, last night’s …
This Cavalli opera, Giasone in Italian, was followed a couple of years later by La Calisto, which the Royal Opera produced for the first time in autumn 2008. Both feature characters from classical mythology engaging in emotional and sexual liaisons, which somehow manage to end in harmony after complications and frustrations attendant on the rambunctious …
Roberto Devereux formed a stirring finale to WNO’s three Donizetti operas about queens from the Tudor period. The strong cast included Leonardo Capalbo as Devereux, who sang the same role when Holland Park performed this opera in summer 2009, and his Act I duets with Elizabeth, the Duke of Nottingham, and Nottingham’s wife Sarah were …
The Royal Opera House knows how to put on a celebration, and on this Gala opening for Carlos Acosta’s new version of Don Quixote the House was decked with hundreds of red carnations. As the ballet ended scores of flowers were thrown down onto the stage, a fitting end to the final scene, in which …
