Mainly Opera and Ballet
Ballet under the big top of the O2 — can it work, or is the audience too far away to see the dancers clearly? Sitting behind the raked tiers of seats, the view was clear if distant, but a closer view was shown on a big screen above the stage. This was very cleverly done, …
This was Antonio Pappano’s first Meistersinger for the Royal Opera, and from the start of the overture to the final chords of Act III, more than five hours later, his peerless conducting drove Wagner’s comedy forward with huge effect. The chorus too was excellent, from the first four-part harmony in the church to their final embrace of Sachs …
This performance, broadcast by live cinema relay, had a super cast along with plenty of musical excitement from the conductor and the orchestra, right from the very beginning of the Prologue. As we start, at the christening of the baby princess, those wonderful fairy variations were danced by Yuhui Choe, Beatriz Stix-Brunell, Fumi Kaneko, Iohna Loots, and Emma Maguire. Yuhui Choe in particular was wonderfully …
Could Prince Andrew’s daughters, Beatrice and Eugenie have thought that their appearance at the Royal Wedding in those eye-catchingly frightful hats would place them in the pantomime roles of Ugly Sisters? Surely not. That would be taking publicity-seeking too far. Yet I imagine the Richmond Cinderella is not the only one to use their names, as well as producing copies …
The original story by E.T.A. Hoffmann interweaves the real and magical worlds, with Drosselmeyer’s toy Nutcracker based on his own nephew. Wayne Eagling’s production, based on a joint idea with Toer van Schayk, combines the two worlds in various clever ways and the nephew, who appears in the party scene of Act I, later interchanges with …
The huge power of this performance was the work of the devil. And as Mephistopheles, René Pape was not just vocally superb, but had a stage presence oozing power and devilment. An immensely smooth operator of huge gravitas who could nevertheless move across the stage while lifting a leg as if in a grand jeté, …
The Met first produced this Handel opera in the same production in 2004 with Renée Fleming in the title role. In this live cinema screening she took on the role again and gave a wonderful performance, showing the anguish of the queen who has apparently lost her husband Bertarido in battle, and is now wooed …
