Monthly Archives: July 2010

The Marriage of Figaro (Le Nozze di Figaro), Opera Australia, Sydney Opera House, July 2010

Teddy Tahu Rhodes was particularly good as a strongly voiced yet surprisingly vulnerable Figaro. So often this character comes over as all too knowing, never seriously fearing for the loss of Susanna’s love, but here …

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La Fanciulla del West (Girl of the Golden West), Opera Australia, Sydney Opera House, July 2010

A good opera production eschews extraneous effects and irrelevant imagery, allowing the music and singing to convey the story directly to the audience, and this Nigel Jamieson production is a fine example.

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Anne Boleyn, Globe Theatre, London, July 2010

Miranda Raison’s smouldering sex appeal and assertive shrewdness in the role [of Anne Boleyn] was by far the most vital thing about this play.

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Don Giovanni, Glyndebourne, July 2010

Gerald Finley is the perfect Don, suave and brutal … both he and Luca Pisaroni as Leporello performed with an insouciance that gave the impression either one would happily shop the other if push came to shove.

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Spartacus, Bolshoi Ballet, Royal Opera House, Covent Garden, July 2010

What really made it memorable, however, was Ivan Vasiliev as Spartacus. He was phenomenal. This is a ballet that gives us stage-devouring leaps and extraordinary lifts, performed to perfection by Vasiliev, with Nina Kaptsova as a captivating Phrygia, but there was also a musicality here that rendered their performance a sublime experience.

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Die Meistersinger, in concert at the Proms, 17 July 2010

…Terfel gave a wonderfully nuanced performance. He built up gradually through Acts I and II, and in Act III his Wahn monologue was beautifully done, and he ended very strongly with his Verachtet mir die Meister nicht . . .

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Henry IV Parts 1 and 2, Globe Theatre, London, July 2010

Roger Allam was gloriously endearing as Falstaff — one could not imagine a better portrayal.

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Quartet, Richmond Theatre, July 2010

What is the point of life? For a performer who can no longer perform — in this case an opera singer who can no longer sing — the lights have already gone out. “I’m not the same person any more,” says Susannah York as she joins three other ex-opera singers at a rest home for …

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The Real Inspector Hound / The Critic, Minerva Theatre, Chichester, July 2010

… in these performances the stylish overacting kept the audience in suspense and drew out the humour without ever overdoing it.

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Fidelio, Holland Park Opera, OHP, July 2010

Beethoven’s only opera is a plea for justice, an idealistic cri de coeur from a composer who originally wanted to dedicate his third symphony to his hero Napoleon, only to be vastly disappointed when the general declared himself emperor.

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