Monthly Archives: January 2010

Wagner Week at the Deutsche Oper in Berlin, February 2010

I shall be in Berlin for a week of Wagner operas at the Deutsche Oper: Lohengrin, Rienzi, Der fliegende Holländer, Tannhäuser, and Meistersinger.

Read more >


The Woman in Black, Richmond Theatre, January 2010

This hugely successful ghost story has been running at the Fortune Theatre in London’s West End for twenty years, …

Read more >


Ghosts in the Mind

This is written in connection with two ghost stories I have seen on stage recently: The Turn of the Screw and The Woman in Black. In his book The Origin of Consciousness in the Breakdown of the Bicameral Mind, Julian Jaynes argues that three thousand years ago human beings had bicameral minds, meaning that one half of the …

Read more >


Sleeping Beauty, Royal Ballet, January 2010

…the dancing was excellent, so why was it that the applause during the performance was lukewarm?

Read more >


Carmen, Metropolitan Opera live relay, January 2010

At the end of this opera, Roberto Alagna as Don Jose made me think that here is the man who killed the gypsy, which says something about the success of this new production by Richard Eyre.

Read more >


Elektra, in concert with Valery Gergiev and the LSO, Barbican, January 2010

The name Elektra means ‘shining’ — as in the alloy electrum — and Gergiev with the LSO gave us a shining performance.

Read more >


Romeo and Juliet, Royal Ballet, January 2010

The cast for this first night of the present run was a strong one headed by Tamara Rojo, whose portrayal of a convincingly distraught Juliet at the end could hardly be bettered.

Read more >


Der Rosenkavalier, Metropolitan Opera live relay, January 2010

Renée Fleming’s … soliloquy on the passing of time in Act I was done with immense sensitivity and feeling. What a performer!

Read more >


The Power of Yes, National Theatre, January 2010

The powerful people who attract the most contempt are … Gordon Brown, and to a slightly lesser extent the previous Federal Reserve Chairman, Alan Greenspan,

Read more >


New Year’s Day Concert from Vienna, 1st January 2010

Georges Prêtre evidently enjoyed himself immensely, but I felt his attempts to insert so many tempo changes and too much drama into the concert misfired

Read more >