Wagner Week at the Deutsche Oper in Berlin, February 2010
Posted on 31 January 2010I shall be in Berlin for a week of Wagner operas at the Deutsche Oper: Lohengrin, Rienzi, Der fliegende Holländer, Tannhäuser, and Meistersinger.
Mainly Opera and Ballet
I shall be in Berlin for a week of Wagner operas at the Deutsche Oper: Lohengrin, Rienzi, Der fliegende Holländer, Tannhäuser, and Meistersinger.
This hugely successful ghost story has been running at the Fortune Theatre in London’s West End for twenty years, …
This is written in connection with two ghost stories I have seen on stage recently: The Turn of the Screw and The Woman in Black. In his book The Origin of Consciousness in the Breakdown of the Bicameral Mind, Julian Jaynes argues that three thousand years ago human beings had bicameral minds, meaning that one half of the …
…the dancing was excellent, so why was it that the applause during the performance was lukewarm?
At the end of this opera, Roberto Alagna as Don Jose made me think that here is the man who killed the gypsy, which says something about the success of this new production by Richard Eyre.
The name Elektra means ‘shining’ — as in the alloy electrum — and Gergiev with the LSO gave us a shining performance.
The cast for this first night of the present run was a strong one headed by Tamara Rojo, whose portrayal of a convincingly distraught Juliet at the end could hardly be bettered.
Renée Fleming’s … soliloquy on the passing of time in Act I was done with immense sensitivity and feeling. What a performer!
The powerful people who attract the most contempt are … Gordon Brown, and to a slightly lesser extent the previous Federal Reserve Chairman, Alan Greenspan,
Georges Prêtre evidently enjoyed himself immensely, but I felt his attempts to insert so many tempo changes and too much drama into the concert misfired