Rusalka, Glyndebourne, August 2009
Posted on 26 August 2009…this was a revelation, and I congratulate Glyndebourne for putting it on.
Mainly Opera and Ballet
…this was a revelation, and I congratulate Glyndebourne for putting it on.
This summer [the Mariinsky] brought to London the works of some great composers: Wagner’s Ring, and three great full-length ballets (two Tchaikovsky, one Prokofiev), along with a Balanchine triple bill.
This was Glyndebourne’s 2003 production by Nikolaus Lehnhoff,…[and] it works terrifically well, with a set by Roland Aeschlimann featuring a broken vortex of huge curved girders.
The corps de ballet danced superbly, Igor Kolb made a very fine prince, and Maxim Zuzin danced delightfully as the bluebird. All might have been well if Pavel Bubelnikov could have done a decent job conducting
Symphony in C … to Bizet’s Symphony No. 1 … is a blaze of action, … designed to show off a classical ballet company…
Altogether this was a good production, well worth seeing, but I wish Hamlet’s speeches had been given with less force and more subtlety.
… the evening belonged to the corps de ballet, which danced magnificently …
This performance was a team effort, led with great emotional sensitivity by Stuart Stratford in the orchestra pit.
This Euripedes play was given in a new translation by Frank McGuinness, and… it worked well here, directed by Deborah Bruce, with designs by Gideon Davy,
The music was excellently conducted by Covent Garden’s Boris Gruzin with the Maryinsky Theatre Orchestra, but that is not enough to compensate for staging that belongs in the dustbin of Soviet relics.