Mark Ronan
Latest Theatre Reviews

Lulu, English National Opera, ENO, London Coliseum, November 2016

November 10, 2016

For those who saw this same William Kentridge production in live cinema relay from the Metropolitan Opera in New York, the performance on the stage of the London Coliseum is a revelation. Seeing all the action all the time, the mime artists, the subtle animations of charcoal drawings on the printed pages of a dictionary …

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Les Contes d’Hoffmann, Royal Opera, ROH, Covent Garden, November 2016

November 8, 2016

This classic 1980 production by John Schlesinger, superbly revived by Daniel Dooner, provides the juxtaposition of magic and reality inherent in so many of E T A Hoffmann’s stories. The play by Barbier and Carré that underlies Offenbach’s opera is based on a selection of his tales that illuminate the dichotomy between life and art, …

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Anastasia, Royal Ballet, ROH, Covent Garden, October 2016

October 27, 2016

In 1971 when Kenneth MacMillan produced this three-act ballet — following an earlier creation in Berlin of what became the final act — there was still uncertainty about whether the main character had once been Russian Grand Duchess Anastasia, youngest daughter of Tsar Nicholas II. Now there is none, but the ballet retains its grip …

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The Nose, Royal Opera, ROH, Covent Garden, October 2016

October 21, 2016

They say it’s not over until the fat lady sings, but in this case the final moment is the sneeze, which for a man who lost his nose is the true test of recovery. It all starts with the sound of the wonderful John Tomlinson as the barber sharpening his razor on a leather strap. …

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Pearl Fishers, English National Opera, ENO, London Coliseum, October 2016

October 20, 2016

Penny Woolcock’s visually stunning production, seen at the Metropolitan Opera in New York within the past year and now on its second ENO revival, has seen changes since the 2010 premiere. Less emphasis is given to the influence of the modern world on ancient Hindu society in this traditional fishing village, where Dick Bird’s sets …

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Latest Journalism

Country cousins show how to do it

Private festivals avoid the absurd interpretations of classic operas that shame the subsidised sector. Standpoint magazine, October 2016, p. 71.

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New Parsifal at Bayreuth — a triumph

A vision of Christians, Jews and Muslims living in harmony in the Middle East is the redemptive message of this new production from the opening night of the 2016 festival, Daily Telegraph, 27 July 2016.

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A marvellous lost Hamlet opera, rediscovered

A review of the opening night production of Franco Faccio’s Hamlet at the Bregenz Festival. Daily Telegraph, 21 July 2016.

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The One-Eyed Maths Monster

Leonard Euler became the presiding genius at the Academy of St Petersburg founded by Peter the Great, then in Berlin under Frederick the Great, before returning to St Petersburg under Empress Catherine the Great. Standpoint magazine, July/August 2016, p. 85.

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Symmetry and the Monster is the story of a mathematical quest that began two hundred years ago in revolutionary France, led to the biggest collaboration ever between mathematicians across the world, and revealed the ‘Monster’ – not monstrous at all, but a structure of exquisite beauty and complexity.

This book tells for the first time the fascinating story of the biggest theorem ever to have been proved. Mark Ronan graphically describes not only the last few decades of the chase, but also some of the more interesting byways, including my personal favourite, the one I called “Monstrous Moonshine”.

John H. Conway, von Neumann Chair of Mathematics, Princeton University

Opera on 3: for the BBC Radio 3 broadcast (on 19 November 2016) of Parsifal from this summer’s Bayreuth Festival, I was the guest with presenter Christopher Cook. We discussed the opera and its production, which I reviewed for the Daily Telegraph on 27 July 2016.

Truth and Beauty: The Hidden World of Symmetry

On the face of it, symmetry may seem simple, but diving beneath the surface reveals a whole new world. Over the last 100 years, the mathematical idea of symmetry has proved to be a guiding light for the world of physics. But what does a mathematician mean by symmetry? How does this link in with the world around us? And could it be the key to the mysterious ‘Theory of Everything’?

This was a BBC Radio programme on Symmetry in the Naked Scientists series. Here is the link