Vanessa, Glyndebourne, August 2018
August 6, 2018Appreciation of a previously unknown opera can be helped enormously by the staging, and Keith Warner’s production evokes the mystery and repressed sensuality of this intriguing work by Samuel Barber. The story is that Vanessa, living with her mother the Baroness, and her niece Erika (possibly her daughter?), awaits the return of her one-time lover …
Lohengrin, Bayreuth Festival, July 2018
July 29, 2018This is a copy of my review in the Sunday Telegraph on 29th July 2018. The Wagner Festival in Bayreuth dates from 1876 when the composer’s extraordinary new opera house, with its recessed orchestra pit invisible to the audience, hosted the first complete performance of his four-part Ring cycle. After Wagner died in 1883, his …
Die Meistersinger von Nürnberg, Bayreuth Festival, Bayreuther Festspiele, July 2018
July 29, 2018In this revival of last year’s successful new Meistersinger director Barrie Kosky there seems to an excess of stage farce that rather weakens the overall effect. Too much mockery is expended on Beckmesser, rendering him not just a klutz but a pathetic creature shuffling over to Eva on his knees in Act 3 as his prize …
Parsifal, Bayreuth Festival, Bayreuther Festspiele, July 2018
July 28, 2018Parsifal in Bayreuth is one of opera’s great experiences. It is also the location of its first performance in 1882 where the marvellous acoustic of the Festspielhaus welcomes the huge dynamic range that this ‘sacred festival drama’ embodies. A thirty-year moratorium forbade stage performances elsewhere until the end of 1913, though the Royal Albert Hall hosted …
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