Mark Ronan
Latest Theatre Reviews

La fille mal gardée, with Muntagirov and Morera, Royal Ballet, ROH, Covent Garden, April 2015

April 17, 2015

Wonderful freshness and vitality from the whole company in this revival of Ashton’s delightful ballet, and Vadim Muntagirov as Colas was perfection. His deft technique and control — and those glorious split jumps in second — combined with a boyish charm made him an irresistible foil to Laura Morera’s quietly understated Lisa. The idyllic happiness …

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Between Worlds, English National Opera, ENO, Barbican, April 2015

April 14, 2015

This opera, ostensibly about the attacks on the World Trade Center on September 11, 2001, is really about what happens when people are suddenly caught between life and death, with only a tenuous connection to their loved ones in the world outside. This is reflected in Michael Levine’s set design for Deborah Warner’s production. The …

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Il Turco in Italia, Royal Opera, ROH, Covent Garden, April 2015

April 12, 2015

Huge fun — and springtime is just the right time to revive this stylish and colourfully stylized production by Moshe Leiser and Patrice Caurier. Its previous outing in 2010 was also in Spring, the four main principals being the same as today: Thomas Allen as poet and opera librettist Prosdocimo, Alessandro Corbelli as the cuckolded …

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Latest Journalism

Revenge not redemption is message of new Parsifal in Berlin

Wagner’s Parsifal is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note — revenge.

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The ultimate space explorer

The brilliantly creative Alexander Grothendieck died recently after reshaping mathematics and then withdrawing from society. Standpoint Magazine, Jan/Feb 2015, p. 89

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Music of Resignation

Turbulence, trauma and transformation in the life of composer Richard Strauss. History Today, January 2015, pp. 4, 5.

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Feature

This is the story of a mathematical quest that began two hundred years ago in revolutionary France, led to the biggest collaboration ever between mathematicians across the world, and revealed the ‘Monster’ – not monstrous at all, but a structure of exquisite beauty and complexity.

This book tells for the first time the fascinating story of the biggest theorem ever to have been proved. Mark Ronan graphically describes not only the last few decades of the chase, but also some of the more interesting byways, including my personal favourite, the one I called “Monstrous Moonshine”.

John H. Conway, von Neumann Chair of Mathematics, Princeton University


2014 is Richard Strauss’s sesqui-centenary year — here are links to recent reviews of several Strauss operas:

Elektra, Royal Opera, Sept 2013.

Die Frau ohne Schatten, Royal Opera Mar 2014.

Der Rosenkavalier, Glyndebourne, May 2014.

Die Liebe der Danae, Frankfurt, June 2014.

Der Rosenkavalier, BBC Proms, July 2014.

Salome, BBC Proms, 30 August 2014.

Elektra, BBC Proms, 31 August 2014.

Plus a forthcoming article in the January 2015 issue of History Today.