Mark Ronan
Latest Theatre Reviews

Die Frau ohne Schatten, Staatsoper Berlin, Festtage, Schiller Theater, April 2017

April 10, 2017

This marvellous Claus Guth production, first staged at La Scala in 2012, and at Covent Garden three years ago, has now found its way to Berlin under the baton of Zubin Mehta, who produced a terrific performance of Richard Strauss’s score, with its combination of gentle chamber episodes with mighty moments of emotional transformation. Despite …

Read more >


Parsifal, Staatsoper Berlin, Festtage, Schiller Theater, April 2017

April 9, 2017

This year’s Festival opened with a concert by the Vienna Philharmonic under Barenboim: Mozart’s Haffner and Jupiter symphonies were given powerful lyricism, and Schönberg’s Chamber Symphony No. 1 wonderful chromatic pulsation. To follow this, Barenboim and the Berlin Staatskapelle fully brought out the emotional depths of Wagner’s Parsifal in Dmitri Tcherniakov’s intriguing production from the …

Read more >


Jewels, Royal Ballet, ROH, Covent Garden, April 2017

April 2, 2017

On the back of the cast list is an ad for jewellers Van Cleef and Arpels, who though failing to bankroll Balanchine’s original production, are delighted to have their name associated with the eventual result: Emeralds to Fauré’s incidental music for Pelleas and Melisande; Rubies to Stravinsky’s Capriccio for piano and orchestra; and Diamonds to …

Read more >


See all Theatre Reviews
Latest Journalism

Dating Dilemmas

The problem of dating Easter and its relationship to Passover. Standpoint magazine, April 2017, p. 51

Read more >

Country cousins show how to do it

Private festivals avoid the absurd interpretations of classic operas that shame the subsidised sector. Standpoint magazine, October 2016, p. 71.

Read more >

New Parsifal at Bayreuth — a triumph

A vision of Christians, Jews and Muslims living in harmony in the Middle East is the redemptive message of this new production from the opening night of the 2016 festival, Daily Telegraph, 27 July 2016.

Read more >

A marvellous lost Hamlet opera, rediscovered

A review of the opening night production of Franco Faccio’s Hamlet at the Bregenz Festival. Daily Telegraph, 21 July 2016.

Read more >


See all Journalism
Feature

Symmetry and the Monster is the story of a mathematical quest that began two hundred years ago in revolutionary France, led to the biggest collaboration ever between mathematicians across the world, and revealed the ‘Monster’ – not monstrous at all, but a structure of exquisite beauty and complexity.

This book tells for the first time the fascinating story of the biggest theorem ever to have been proved. Mark Ronan graphically describes not only the last few decades of the chase, but also some of the more interesting byways, including my personal favourite, the one I called “Monstrous Moonshine”.

John H. Conway, von Neumann Chair of Mathematics, Princeton University


Opera on 3: for the BBC Radio 3 broadcast (on 19 November 2016) of Parsifal from this summer’s Bayreuth Festival, I was the guest with presenter Christopher Cook. We discussed the opera and its production, which I reviewed for the Daily Telegraph on 27 July 2016.


Truth and Beauty: The Hidden World of Symmetry

On the face of it, symmetry may seem simple, but diving beneath the surface reveals a whole new world. Over the last 100 years, the mathematical idea of symmetry has proved to be a guiding light for the world of physics. But what does a mathematician mean by symmetry? How does this link in with the world around us? And could it be the key to the mysterious ‘Theory of Everything’?

This was a BBC Radio programme on Symmetry in the Naked Scientists series. Here is the link